Abstract Echogenerative Practice is an auto-theoretical textual performance that mobilizes echo as subject and form to interrogate how meaning is made and transformed through acts of citation. Drawing on feminist, neuroqueer, and decolonial perspectives, it reframes how echo and echolalia, traditionally cast as passive or pathological modes of communication, can be understood as generative forces that distort, queer, and reconfigure signification.

Constructed as a 'tissue of quotations,' Echogenerative Practice performs citation as an aesthetic and critical gesture, exposing tensions between originality, appropriation, and authorship. The work positions echoing as activist poetics; a resistant practice that inhabits and transforms textual lineages in order to challenge institutional norms, disciplinary boundaries, and dominant epistemologies. The performance activates sonic rhythms that disrupt mainstream modes of articulation, opening space for forms of meaning and communicative patterning typically excluded by standard academic discourse.