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Submission information
Submission Number: 270
Submission ID: 332
Submission UUID: 298bc5fe-22ed-4a3a-b82f-2e74698eb304
Submission URI: /ga/form/submit-contribution
Cruthaithe: Sat, 28 Feb 2026 - 21:35
Déanta: Sat, 28 Feb 2026 - 22:27
Changed: Wed, 13 May 2026 - 08:12
Remote IP address: 185.225.219.90
Submitted by: Dario Savino Doronzo
Teanga: English
Is draft: Níl
Current page: webform_confirmation
| Given name | Dario Savino |
|---|---|
| Surname | Doronzo |
| dariodoronzo@gmail.com | |
| I understand that by submitting this form, I consent to the use of my data for the purposes of the 2026 Forum on Artistic Research'. | Tá |
| I agree to the terms of service. | Tá |
| Title | FABUALE: Translating Endangered Conceptual Worlds into Sound. [Concert for Flugelhorn and Piano] |
| Format | Performance |
| Main language | English |
| Abstract | FABUALE is an artistic research project presented as a live concert for flugelhorn and piano by Duo Doronzo | Minafra. The performance investigates how endangered conceptual worlds — particularly oral, ecological, and embodied modes of knowledge — can be translated into contemporary musical language. In a context marked by cultural homogenisation and algorithmic standardisation, FABUALE explores music as a minoritised epistemic space: a site where fragile, non-hegemonic forms of knowing can be enacted rather than merely represented. The project asks: (1) How can improvisation and composition function as tools to preserve and reactivate endangered conceptual worlds? (2) How does the dialogic relationship between two acoustic instruments embody ecological interdependence, asymmetry, and coexistence? The original works (Gongilo, La Piuma, Cerbiatto, Oltremare, Rane, Sol Invictus, Vespe) operate as sonic fabulae — narrative structures without words that foreground listening as a form of relational knowledge. Drawing from oral traditions, Mediterranean soundscapes, and embodied improvisation practices, the duo constructs a musical language rooted in breath, resonance, fragility, and unpredictability. Methodologically, FABUALE aligns with Art-Based Research and phenomenological inquiry, engaging uncertainty as a generative condition and performance as a site of knowledge production. The concert becomes both artistic event and epistemic experiment: a space where sound resists simplification and reclaims its capacity to host complexity. By framing music as an endangered yet resilient conceptual world, FABUALE proposes performance as an act of resistance, revival, and ecological imagination. REMARKS ON THIS CONTRIBUTION – PERFORMERS: Dario Savino Doronzo, Flugelhorn Livio Minafra, Piano VIDEO LINKS: https://www.youtube.com/watch?v=Ddr4xPm5nzA https://www.youtube.com/watch?v=0765NcVE_C4 https://www.youtube.com/watch?v=FoPQN9PmA08 |
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| Previous presentations or iterations of the research | FABUALE has been presented in concert form at international venues including Conservatório - Escola das Artes Luiz Peter Clode of Funchal, Museu de Arte Contemporânea – MUDAS (PT), Lithuanian Academy of Music and Theatre (LT), Mondo.NYC (USA), and other European institutions. While performed publicly, this submission reframes the project explicitly as artistic research, foregrounding its epistemic, ecological, and methodological dimensions in alignment with the SAR 2026 themes. |
| Additional information | The performance by Duo Doronzo | Minafra (Dario Savino Doronzo - Flugelhorn & Presenter | Livio Minafra - Piano & Composition) will be presented as a live concert-lecture format, integrating artistic practice and reflective introduction. A brief contextual framing may precede the performance to situate FABUALE within the methodological perspectives of Art-Based Research and ecological epistemology. The project does not require multimedia materials and is conceived primarily as an acoustic experience. If appropriate to the conference programme, a short post-performance discussion can be included to further engage with its research dimensions. |
| Spatial and technical requirements | The Duo prefers to perform acoustically (without amplification). A well-tuned grand or half-grand piano at 442 Hz is required, together with a rigid music stand for the flugelhorn. If amplification is necessary, please provide two/three microphones for piano, one microphone for flugelhorn, and two monitors (one for the pianist and one for the flugelhorn player). |
| Potential risks or ethical concerns | No specific ethical risks are anticipated. The project does not involve human subjects, sensitive data, or external materials requiring permissions. FABUALE is an original artistic work focused on acoustic performance and artistic research. |
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| Create new user | Dario Savino Doronzo |
