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An 17ú Comhdháil de chuid Chumann na Taighde Ealaíonta (SAR)

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Submission Number: 150
Submission ID: 200
Submission UUID: 0f1f6747-c80b-44c2-9ad8-b96808297997

Cruthaithe: Tue, 24 Feb 2026 - 10:10
Déanta: Tue, 24 Feb 2026 - 11:02
Changed: Wed, 13 May 2026 - 08:12

Remote IP address: 161.73.4.62
Submitted by: Anonymous
Teanga: English

Is draft: Níl
Current page: webform_confirmation
Given name Kate
Surname Fahey
Email fahey.kate@gmail.com
I understand that by submitting this form, I consent to the use of my data for the purposes of the 2026 Forum on Artistic Research'.
I agree to the terms of service.
Title Mouthnotes
Format Other format
Main language English
Abstract This project’s starting point is An Cloch Labhrais (The Speaking Stone), a huge glacial erratic made from conglomerate puddingstone rock. Located in Co. Waterford in Ireland, it is known as a ‘truth’ telling oracle stone. According to legend, the dramatic crack in the stone occurred after a woman perjured herself in its presence – her untruth causing it to split in two. Mouthnotes reclaims the stone’s split, and reimagines it as a mouth from which a multitude of utterances and un/speakable things leak and spill. In this disorderly form of self-expression, non-conforming vocalisations flow up to her mouth and out through her tongue (Carson, 2005). Through the logic of the the vocal warm-up, the work simultaneously stutters and echoes the order of language, numeracy, and structured behaviour. Breaking away from preconfigured expectations and narratives, mouths and voices separate and reunite, unearthing an imagined enunciation (LaBelle, 2014). In the work, these plural erratic agencies emerge through a series of audio-visual polyvocal Mouthnotes.
Image Mouthnotes.jpg
Short biographies of the presenter(s)
  • Kate Fahey is an artist based between Kilkenny and London. Her work explores ways of meaning-making outwith scientific and rational knowledge systems – conventional ways of understanding the world rooted in patriarchal, white, western historical narratives. Through moving image, sound, language, print and sculptural practice, she investigate embodied, esoteric, folkloric and more-than-human ways of knowing. She has shown her work at spaces including ICA London, VISUAL Carlow, the Bluecoat Liverpool, CCArt Andratx, and Pallas Projects. She is senior lecturer in Fine Art at Oxford Brookes University.
Previous presentations or iterations of the research Pallas Projects Dublin, September 2022.
6x6 Project, 31st Edition, March 2023.
Additional information Mouthnotes (2022) is a single-channel audio-visual installation with multichannel sound (5 minutes 33 seconds).
The work can be viewed in entirity here: https://vimeo.com/758518941?share=copy
(please use headphones).
Spatial and technical requirements There are 3 potential formats:

1. An installation with projection and stereo 'rock' speakers (in a darkened room). I can provide the rock speakers; they look similar to these: https://www.kbaudio.co.uk/products/osd-audio-rs670-outdoor-rock-speakers-granite
See a similar installation here: https://www.katefahey.co.uk/Mouthnotes

2. Installed on a screen, with headphones (or additionally with the rock speakers).

3. Installed as stereo sound-only played through the rock speakers.
Potential risks or ethical concerns N/A
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An 17ú Comhdháil de chuid Chumann na Taighde Ealaíonta (SAR)

Welcome to SAR 2026

Endangered Conceptual Worlds

The 2026 International Forum on Artistic Research takes place from 23 to 26 June 2026. Hosted by the University of Galway on the Atlantic coast of Ireland, the Forum addresses the challenges of Endangered Conceptual Worlds. As the 17th annual conference of the Society for Artistic Research it is the largest conference on practice-based research within and through the arts, bringing together more than 300 international participants: leading practitioners, scholars and policymakers from the entire range of arts-based disciplines.

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Slightly extended deadline for submissions

The 2026 Forum on Artistic Research website has been inaccessible for several hours on Friday night and Saturday morning. Unfortunately, an update to the web server was scheduled to take place, which automatically activated maintenance mode and prevented any work on the submissions during the night and the next morning. We have therefore decided to slightly extend the deadline for submissions to Monday 2 March 2026 at 23:59 GMT. Feel free to work on your proposals until then.