Sonic Archetypes of the Mondine: Artistic Research as Environmental Testimony
The performances created in this research are grounded in ethnographic and practice-based methodologies, including field recordings, interviews, audiovisual documents, hydrophones and sensors, electroacoustic compositional processes, and vocal improvisation as a form of situated knowledge. Case studies address rice-field pollution, abandoned industrial sites, and invasive alien species, exploring the interplay between human voice and environmental sounds, and demonstrating artistic responses to ecological transformations.
By engaging with the sonic archetype, the research explores how endangered conceptual worlds generate distinctive forms of innovation. The mondina repertoire is treated as generative rather than archival: improvisation mediates dialogue between voice, biophony, geophony, and anthropophony, revealing precarious ecological conditions and making visible subjugated knowledge embedded in the landscape. This approach emphasizes resilience, resistance, and revival, demonstrating the potential of minoritised sonic languages to counter homogenising pressures, platform capitalism, and cultural standardisation, while offering alternative epistemic models for listening, interpretation, and creative action.
The presentation combines live performance and discussion, illustrating how artistic research can act as both an aesthetic experience and a method of ecological and cultural investigation.