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Submission Number: 376
Submission ID: 447
Submission UUID: 17459fd7-da39-4690-98e2-bb2bc2cf9855
Submission URI: /ga/form/submit-contribution
Cruthaithe: Mon, 2 Mar 2026 - 15:34
Déanta: Mon, 2 Mar 2026 - 15:38
Changed: Wed, 13 May 2026 - 08:40
Remote IP address: 195.148.108.245
Submitted by: Nina Liebenberg
Teanga: English
Is draft: Níl
Current page: webform_confirmation
Flagged: Tá
| Given name | Nina |
|---|---|
| Surname | Liebenberg |
| nina.liebenberg@uniarts.fi | |
| I understand that by submitting this form, I consent to the use of my data for the purposes of the 2026 Forum on Artistic Research'. | Tá |
| I agree to the terms of service. | Tá |
| Title | In the Space Between: Curating Dispersal, Holding Difference |
| Format | Project presentation |
| Main language | English |
| Abstract | This performative lecture proposes curatorship as an artistic research practice that constructs interstitial 'holding environments' for endangered conceptual worlds. Developed through the interdisciplinary project Synzoochory (Uniarts Helsinki, 2025), it reframes synzoochory - seed dispersal through interspecies mediation - as a methodological model for epistemic transmission: knowledge understood as travelling and transformed through contact and context, rather than accumulation and taxonomic enclosure. Drawing on Donald Winnicott’s notion of the 'holding space', curatorial practice is approached as the creation of structured yet permeable environments in which heterogeneous materials, disciplines, and diverse worldviews encounter one another without immediate resolution. Materials such as scientific collections, current research, laboratory equipment, artworks, and archival objects are staged together, in productive tension, without being subordinated to a single explanatory frame. Difference is sustained (celebrated even) rather than collapsed. Central to this methodology is the “curatorial interval”: performative in-between moments that suspend authoritative narration and disrupt linear sequencing. Realised through in-situ departmental exhibitions and performative elements within the Synzoochory symposia, these interstitial pauses generate conditions of attentiveness and delay, enabling embodied and affective forms of knowing to surface. Glissant’s 'right to opacity' is central here: divergent epistemologies (Western taxonomies, Indigenous knowledges, anthropocentric and more-than-human perspectives) are allowed to coexist without being made fully legible to one another. In line with SAR 2026’s focus on power, language, and minoritised knowledges, this paper argues that curatorship sustains fragile epistemic worlds by creating dialogical spaces where difference is neither erased nor hierarchically ordered, but carefully held. |
| Link to the Exposition | https://www.researchcatalogue.net/view/4155375/4155376 |
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| Short biographies of the presenter(s) |
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| Previous presentations or iterations of the research | This research occurred in November 2025, and has subsequently not been presented at any research conference yet. |
| Additional information | None |
| Spatial and technical requirements | This performative lecture will be in ppt format, with audio-visual elements dispersed throughout. |
| Potential risks or ethical concerns | None that I am aware of at this stage. |
| Create a user account for SAR 2026 | Tá |
| Create new user | Nina Liebenberg |
