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We understand trans construction as an emergent tactic for developing physical spatial infrastructure for trans liberation, as well as language to recover from trans liberation’s institutional expropriation. Whereas normative construction typically creates records of attempts – to frame, gather, house, re/store, exchange, insulate, etc – we understand trans construction to also involve “an often, sometimes chaotic, but hopefully ultimately space-clearing attempt,” as Cameron Awkward-Rich put it. That is to say, we believe trans construction’s viability lies not only in its production of positive forms but also in its delicate attention to negative spaces’ previously unrecognized relevance. In practicing this durational art of epistemologically encouraging trans liberation, we illuminate the powerful influence of cis-masc and hetero-normative perspectives in deciding what is safe, what is sturdy, what is beautiful, what is functional and livable in the built environment.
In this session, we will discuss the body’s inherent capacity to be gendered differently, and consider ways in which construction can already be conceived of as trans. Participants are likewise invited to test the inherent capacities of common and uncommon construction materials to regenerate trans cultures and ecologies.
- Doors Unlimited was initiated in 2015 by Bethany Ides & Ora Ferdman with Mahshid Rafiei as a generative structure for hosting collaborative research in convocational technologies and speculative folklife. Doors Unlimited events often engage large groups of people walking, eating, reading, diagramming, discussing, experimenting, play-acting, planning, drawing, laughing, listening and/or deciding together. Previous projects have occurred in community centers, art galleries, academic institutions, private residences, theaters and public, open spaces across the U.S. and Canada, as well as online.
- Ora Ferdman is a 3rd-generation builder and designer, investigating the social, political, and performative dimensions of construction practice. She is the recipient of fellowships by Benjamin Menschel Program for Creative Inquiry, the Good Work Institute and the New Inc Program. As part of Doors Unlimited, she has been an artist-in-residence at/with Sense Lab, Habitable Spaces and the Prattsville Art Center.
- Bethany Ides is a writer, artist, professor, theater-maker, community organizer and co-director of Doors Unlimited. Her investigative operatic projects have been mounted at the Harbourfront Centre, Knockdown Center, Mandragoras Art Space, FADO Performance Art Centre, CounterPULSE, Dixon Place, The Poetry Project, PS122 and PerformanceWorks NW. Her work on pedagogy, reparative reading, excessive communication and collective practice has recently appeared in Community Literacy Journal, Radical Teacher, C Magazine, Shifter, Ear|Wave|Event and the Candidate Journal: Psychoanalytic Currents.