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An 17ú Comhdháil de chuid Chumann na Taighde Ealaíonta (SAR)

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Submission Number: 319
Submission ID: 384
Submission UUID: 44a76489-a20d-4433-ab1f-08bca5b356da

Cruthaithe: Sun, 1 Mar 2026 - 15:48
Déanta: Sun, 1 Mar 2026 - 15:59
Changed: Wed, 13 May 2026 - 08:46

Remote IP address: 93.227.191.195
Submitted by: Jeremy Woodruff
Teanga: English

Is draft: Níl
Current page: webform_confirmation

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Personal Information
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Given name: Jeremy









Surname: Woodruff 









Email: jeremy.woodruff@kug.ac.at









I understand that by submitting this form, I consent to the use of my data for the purposes of the 2026 Forum on Artistic Research'.: Tá









I agree to the terms of service.: Tá













Your contribution
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Title: Discussique: Translation and Metaphor as Guides to Informed Listening and Hybridity in Trans-traditional Music Making









Format: Project presentation (2)









Main language: English









Abstract:
The Discussique: Hearing Flowers project follows the floral metaphors in different culture's music to unfold new forms of listening, music-making, and exchange for 12 musicians representing 7 different traditions of music. Over the course of the year, the project takes place at the botanical Gardens, historical Eggenberg Palace, and Kunsthaus in Graz in turn. Here the translation of metaphors guides fellow musicians and audience members to understand for what to listen in each tradition, in order to acquire a differentiated and insightful appreciation. Only after a long process of learning how to listen to each other do the musicians begin to make music together, looking for a hybrid technique together which can accommodate, rather than flatten out the special aspects of all the different musicians.










Link to the Exposition :  (https://www.researchcatalogue.net/shared/9dd532a50205e68a310081f94241abb4)









Image: https://test.sar2026.ie/system/files/webform/submit_contribution/384/KH_Discussique_A5_EK_fin_RZ.jpg









Short biographies of the presenter(s):
- Jeremy Woodruff is a composer and researcher dealing with such diverse subjects as protest, urban gardens and transcultural music theory. He is Senior Scientist, and Deputy Head of the Centre for Artistic Research at the University of Music and Performing Arts Graz. He is also a founding member of the sound art collective Errant Sound in Berlin and a multi-instrumentalist on baritone sax and multiple winds including bansuri, ney and kaval. He was a co-curator of the Dystopia Sound Art Biennial and is currently leader of the Sonic Borderlines Listening Series.  www.sonicborderlines.org










Previous presentations or iterations of the research:
None














Requirements
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Additional information:
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Spatial and technical requirements :
Projector and sound










Potential risks or ethical concerns:
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An 17ú Comhdháil de chuid Chumann na Taighde Ealaíonta (SAR)

Welcome to SAR 2026

Endangered Conceptual Worlds

The 2026 International Forum on Artistic Research takes place from 23 to 26 June 2026. Hosted by the University of Galway on the Atlantic coast of Ireland, the Forum addresses the challenges of Endangered Conceptual Worlds. As the 17th annual conference of the Society for Artistic Research it is the largest conference on practice-based research within and through the arts, bringing together more than 300 international participants: leading practitioners, scholars and policymakers from the entire range of arts-based disciplines.

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Slightly extended deadline for submissions

The 2026 Forum on Artistic Research website has been inaccessible for several hours on Friday night and Saturday morning. Unfortunately, an update to the web server was scheduled to take place, which automatically activated maintenance mode and prevented any work on the submissions during the night and the next morning. We have therefore decided to slightly extend the deadline for submissions to Monday 2 March 2026 at 23:59 GMT. Feel free to work on your proposals until then.