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An 17ú Comhdháil de chuid Chumann na Taighde Ealaíonta (SAR)

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Submission Number: 267
Submission ID: 329
Submission UUID: 0474c034-4b03-429a-b61f-1890d0780d4b

Cruthaithe: Sat, 28 Feb 2026 - 21:12
Déanta: Sat, 28 Feb 2026 - 21:19
Changed: Wed, 13 May 2026 - 08:12

Remote IP address: 217.103.240.198
Submitted by: Anonymous
Teanga: English

Is draft: Níl
Current page: webform_confirmation
Personal Information
Mari
Bastashevski
Your contribution
Purple Perfect
English
Please note this is a new project and a research expose has not yet been created. I'd like to test it out and find potential collaborations and distributors.

For centuries, Tyrian purple was a metaphor that connected knowledge across worlds: those of labor with those of kings, worlds of past wars with those of future extinctions. Ancient Tyrian purple was historically extracted from the gland of murex snails. Tens of thousands of marine snails were needed for a single gram of pigment. This painstaking process contributed to the mythologizing of color and its association with power.
In 2021, a group of Chinese scientists used cellular biology to re-engineer this color through E. coli. While their model demonstrated scientific feasibility, the invention appears to have had no meaning beyond feasibility. The more-than-human agency of the snail at the heart of this invention is largely forgotten. Purple Perfect uses an artistic mode of inquiry to launch a labor-intensive, collaborative production of a single drop of color as a starting point to study how scientific discovery is always a form of cultural proposition. In doing so, it offers a fundamentally new approach for cross-disciplinary negotiation of more-than-human futures.
The central research objectives are: a. To study how ancient color production methods compare to the cellular method. b. To analyze how cellular reproduction of the ancient color of Tyrian purple from a snail cell contributes to debates over the future of ecology today. In developing this case study, the project will investigate three primary questions: What kind of problems emerge when a scientific framework is shaped by artistic inquiry? How is it defended as simultaneously artistic and scientific research through the development of a single model? How does producing a single drop of color from one cultivated snail, rather than thousands extracted, shift the value and potential of ecological resources, however scarce?
PHOTO-2025-12-18-01-46-54.jpg
  • Mari Bastashevski is a mid-career visual artist and writer, active in research, visual art, publishing, and academia since 2010. Her work centers on the future of ecological cultural imaginaries beyond the binary of techno-optimism and collapsism. In the past, her art and research practice spun five counter-forensic interconnected case studies into the role of images in the global conflict economy. She holds a PhD in artistic research from NTNU. In 2026, she will conclude a two-year postdoctoral fellowship at Wageningen University
This is a new project.
Requirements
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Nothing yet
Two existing frameworks would be applied during the implementation of this project. First, the strict ethical protocols for working with living subjects developed by Wageningen University Cellular Agriculture Labs. Second, the ethical approach I developed during my doctoral research.
An 17ú Comhdháil de chuid Chumann na Taighde Ealaíonta (SAR)

Welcome to SAR 2026

Endangered Conceptual Worlds

The 2026 International Forum on Artistic Research takes place from 23 to 26 June 2026. Hosted by the University of Galway on the Atlantic coast of Ireland, the Forum addresses the challenges of Endangered Conceptual Worlds. As the 17th annual conference of the Society for Artistic Research it is the largest conference on practice-based research within and through the arts, bringing together more than 300 international participants: leading practitioners, scholars and policymakers from the entire range of arts-based disciplines.

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Slightly extended deadline for submissions

The 2026 Forum on Artistic Research website has been inaccessible for several hours on Friday night and Saturday morning. Unfortunately, an update to the web server was scheduled to take place, which automatically activated maintenance mode and prevented any work on the submissions during the night and the next morning. We have therefore decided to slightly extend the deadline for submissions to Monday 2 March 2026 at 23:59 GMT. Feel free to work on your proposals until then.