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Submission Number: 224
Submission ID: 282
Submission UUID: 3f210db6-94bb-4aca-b29d-14da3e73adb6

Cruthaithe: Fri, 27 Feb 2026 - 16:17
Déanta: Fri, 27 Feb 2026 - 16:51
Changed: Wed, 13 May 2026 - 08:14

Remote IP address: 185.34.123.240
Submitted by: Anonymous
Teanga: English

Is draft: Níl
Current page: webform_confirmation





Personal Information
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Given name: JACQUELYN DALE









Surname: WHITMAN









Email: JAYDEEWHITMAN@GMAIL.COM









I understand that by submitting this form, I consent to the use of my data for the purposes of the 2026 Forum on Artistic Research'.: Tá









I agree to the terms of service.: Tá













Your contribution
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Title: Plastic Magnitudes: Transdisciplinary Art-Science as Collective Intelligence for Invisible Environmental Threats









Format: Poster presentation (6)









Main language: English









Abstract:
How can artistic research produce genuinely new knowledge about environmental threats that are structurally invisible and scientifically complex? Plastic Magnitudes, a transdisciplinary art-science collaboration with the European Commission's Joint Research Centre, demonstrates how integrating socially engaged art (SEA) with transdisciplinary research (TDR) addresses plastic particulates (micro-/nanoplastics) — threats that elude human perception and public engagement.
Plastic Magnitudes integrates TDR (co-design, co-production, co-implementation) with SEA (community engagement, facilitated dialogue, art-making) across three activities: beach clean-ups, community sculpture workshops using collected marine debris, and an immersive projection-mapped installation merging community-made forms with JRC scientific documentation. Each provides material tangibility, emotional immediacy, and visible local solutions for plastic particulats, advancing participants through a five-stage framework: awareness, emotional connection, perceived agency, visible efficacy, and sustained action.
Their integration generates material-affective accessibility: the conditions under which invisible threats become personally actionable. The work demonstrates that artistic research's unique capacity lies in producing knowledge that is simultaneously epistemically rigorous, emotionally resonant, and politically generative.
By creating conditions where policy-driven research is experienced rather than read, the work transformed affect across three constituencies: scientists processing paralysis, citizens moving from isolation to agency, and policymakers unmoved by reports until aesthetic encounter made contamination felt. Plastic Magnitudes demonstrates that artistic research can function as preventive political infrastructure,  generating the collective capacity for action that governance requires but information transfer alone cannot produce.










Image: https://test.sar2026.ie/system/files/webform/submit_contribution/282/PLASTIC%20MAGNITUDES_JDW.jpg









Short biographies of the presenter(s):
- Jacquelyn (JD) Whitman is an Irish-based artist, educator, and ocean advocate whose transdisciplinary research addresses the plastic pollution crisis at the intersection of marine science, policy, and creative practice. Her work employs eco-social art methodologies to translate complex scientific research into immersive, accessible experiences that raise awareness, empower communities, and foster sustainable action. Focusing on micro- and nanoplastics, ocean literacy, and eco-emotional resilience, she is a currently a PhD candidate at the University of Galway/Burren College of Art, an Artist-in-Residence at Atlantic Technological University, and an active alumna of the JRC’s SciArt Project, University of Iowa, and University of Chicago.
  










Previous presentations or iterations of the research:
The development of Plastic Magnitudes was first co-presented in a Presentation of Residency at the Joint Research Center in Ispra, Italy. 
Plastic Magnitudes was first exhibited in NaturArchy: Towards A Natural Contract, JRC SciArt Project’s Resonance IV Group Exhibition at iMAL - Center for Digital Cultures and Technology, Brussels, May-Sept 2024. It was subsequently re-installed at EU Green Week 2025 (Brussels),  EU Maritime Day 2025 (Cork), EU Ocean Days 2025 (Brussels).














Requirements
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Additional information:
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Spatial and technical requirements :
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Potential risks or ethical concerns:
There are no risks or ethical concerns that are foreseeable at this stage. 










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An 17ú Comhdháil de chuid Chumann na Taighde Ealaíonta (SAR)

Welcome to SAR 2026

Endangered Conceptual Worlds

The 2026 International Forum on Artistic Research takes place from 23 to 26 June 2026. Hosted by the University of Galway on the Atlantic coast of Ireland, the Forum addresses the challenges of Endangered Conceptual Worlds. As the 17th annual conference of the Society for Artistic Research it is the largest conference on practice-based research within and through the arts, bringing together more than 300 international participants: leading practitioners, scholars and policymakers from the entire range of arts-based disciplines.

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Slightly extended deadline for submissions

The 2026 Forum on Artistic Research website has been inaccessible for several hours on Friday night and Saturday morning. Unfortunately, an update to the web server was scheduled to take place, which automatically activated maintenance mode and prevented any work on the submissions during the night and the next morning. We have therefore decided to slightly extend the deadline for submissions to Monday 2 March 2026 at 23:59 GMT. Feel free to work on your proposals until then.