Skip to main content
An 17ú Comhdháil de chuid Chumann na Taighde Ealaíonta (SAR)

Secondary tabs

Submission Number: 171
Submission ID: 223
Submission UUID: 035427fb-3476-48ba-bce0-29305fc5ebf8

Cruthaithe: Wed, 25 Feb 2026 - 20:22
Déanta: Wed, 25 Feb 2026 - 20:44
Changed: Wed, 13 May 2026 - 08:12

Remote IP address: 2.44.143.28
Submitted by: Anonymous
Teanga: English

Is draft: Níl
Current page: webform_confirmation





Personal Information
--------------------






Given name: Alessandro









Surname: Cazzato









Email: alessandro.cazzato@conservatorio.ch









I understand that by submitting this form, I consent to the use of my data for the purposes of the 2026 Forum on Artistic Research'.: Tá









I agree to the terms of service.: Tá













Your contribution
-----------------






Title: Dialogue Across Performance, Education, and Artistic Research: the Interdisciplinary Approach of ‘Ex Chordis’ Journal









Format: Project presentation (2)









Main language: English









Abstract:
The study of bowed string instruments, despite their cultural significance, often remains confined to traditional disciplinary boundaries. ‘EC ⎻ Ex Chordis’, a peer-reviewed ANVUR accredited scientific Journal, addresses this limitation by creating an interdisciplinary platform that connects performance, education, and artistic research. Its purpose is to develop a holistic understanding of bowed string instruments by fostering dialogue across fields. The EC's main goal includes bridging musical practice, pedagogical traditions, and scholarly research, thereby expanding the field of bowed string instrument studies. Key research questions include: How can interdisciplinary approaches deepen the understanding of bowed string instruments? How can a dedicated platform connect the practical, educational, and academic dimensions of bowed string instruments? EC operates on the hypothesis that a Diamond Open Access format can encourage innovative research and amplify appreciation for bowed string instruments within musical and cultural discourses. Using a descriptive methodology, the Journal analyzes its aims, editorial policies, and Open Access model, which features a double-blind peer-review process. Its target audience includes researchers, educators, and performers from various disciplines interested in bowed string instruments. Aligned with international Open Science policies, including the Messina and Berlin Declarations and the principles of League of European Research Universities (LERU), EC promotes the widest possible dissemination of research. It seeks to challenge conventional analytical frameworks by uncovering connections between historical development, contemporary relevance, performance practices, and cultural narratives. EC aspires to be a key resource for the interdisciplinary study of bowed string instruments, fostering innovative research and providing new insights into their role in artistic contexts, while ensuring broad international accessibility.










Link to the Exposition :  (https://riviste.unimi.it/index.php/exchordis/index)









Image: https://test.sar2026.ie/system/files/webform/submit_contribution/223/B%20copia.jpg









Short biographies of the presenter(s):
- Alessandro Cazzato (1988) is renowned as a violinist specializing in contemporary repertoires. He performed solo concerts in major Festivals, including: Carnegie Hall, NYC Philharmonic Biennial, LAC Lugano, Il Suono Italiano Festival, SIMC (Italian Society for Contemporary Music). He graduated and specialized “cum laude” in Violin with Franco Mezzena and Felix Ayo. He collaborates with the Tactus label and he is a regular speaker at research events: EPARM, Xperimus (Porto), Sound Thought Festival (Glasgow), NYC Electroacoustic Music Festival, Universidad de las Artes Buenos Aires. He is full-time Violin Professor at Conservatorio N. Piccinni, Bari, and Editor-in-Chief of 'Ex Chordis' Journal.










Previous presentations or iterations of the research:
Cazzato is a regular speaker at research events, including: EPARM (European Platform for the Artistic Research in Music); Xperimus Conference, Porto; Music Diaries Conference, Thessaloniki; Sound Thought Festival, Glasgow; Università Tor Vergata, Roma; NYC Electroacoustic Music Festival, New York; Royal Academy of Music, London; Universidade de Aveiro; REACT Conference, Wien; Articulate Festival, Antwerp.














Requirements
------------






Additional information:
{Empty}










Spatial and technical requirements :
{Empty}










Potential risks or ethical concerns:
{Empty}










Create a user account for SAR 2026: Tá









Create new user: Alessandro Cazzato







An 17ú Comhdháil de chuid Chumann na Taighde Ealaíonta (SAR)

Welcome to SAR 2026

Endangered Conceptual Worlds

The 2026 International Forum on Artistic Research takes place from 23 to 26 June 2026. Hosted by the University of Galway on the Atlantic coast of Ireland, the Forum addresses the challenges of Endangered Conceptual Worlds. As the 17th annual conference of the Society for Artistic Research it is the largest conference on practice-based research within and through the arts, bringing together more than 300 international participants: leading practitioners, scholars and policymakers from the entire range of arts-based disciplines.

Read More →

Slightly extended deadline for submissions

The 2026 Forum on Artistic Research website has been inaccessible for several hours on Friday night and Saturday morning. Unfortunately, an update to the web server was scheduled to take place, which automatically activated maintenance mode and prevented any work on the submissions during the night and the next morning. We have therefore decided to slightly extend the deadline for submissions to Monday 2 March 2026 at 23:59 GMT. Feel free to work on your proposals until then.