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It’s the result of a one year artistic/curatorial research residency on Islamic spirituality and ritual in connection to contemporary art, a hybrid experimental project carried out by visual artist and curator Chiara Bastoni. The project is part of a longer term, hybrid research project on the intersection of curation and artistic production, that aims to bridge rituality as a methodology with the practice of contemporary art, and draw back from the latter the elements that can render the experience of art authentic, intense, deep, empathy oriented and connective.
The shooting eye is photographic. Besides the main narrative, a sense of connection and unity pervade the whole film, through the visual associations made. Messages overlap and layer. The film is permeated by references to Islamic rituals, to
some passages of the Qur’an, which are intentionally left subtle and silent, only perceivable by those who know and seek, a choice made to make the piece universal.
The piece is the first part of what aims to be a much wider and innovative project that unites researchers from various fields, deepening and widening what has been started throughout this process.
- Chiara Bastoni is an emerging visual artist and curator who approaches curation as an artistic practice. Born as a photographer, she is now moving towards moving image to expand her practice to include more emotion, intensity, and narration and document foundational and endangered human principles.
As a curator, Chiara approaches exhibition-making as an extension of her artistic research, exploring ways to bridge ritual with contemporary art to create transformative and complete experiences. As Artistic Director of Copenhagen’s KUNE Festival and co-creator of the Global We program for the Museum for the United Nations, she extends her work into public space, seeking to turn artistic encounters into deep forms of engagement.