Abstract This performance-lecture will explore the application of theoretical approaches and creative practices in processes for dance, theatre, and musical performance which is an experiential, embodied, living practice of resistance to domination and exploitation. In doing so, it will examine the value of ecofeminism, dance theatre, and eco somatic practices in shaping the nature of the performing arts in the face of slow violence and the multiple socio-ecological crises confronting us.
 
Michelle will perform an excerpt of her artistic-research piece, "Moon Change: A Dance of Blood and Soil", which is a dance theatre contemplation of the relationships we have with our bodies and with the earth. As a solo performance piece, it journeys through natural cycles and seasons, historical and modern-day beliefs, rituals, experiences, and cultural constructions around menstruation. After showing a demonstration through dance, the lecture makes the argument that although they have important value, the evolving approaches of ecosomatic dance have been and continue to be neglected in ecological theatre and performance, and that by tapping into ecosomatic approaches we can experience a felt knowledge which is becoming increasingly endangered as humans disconnect from their bodies and environments.

This research investigates the question: How can ecological embodiment in dance, movement, and performance illuminate hidden connections and marginalized histories? The body and the place in which it performs become sites of felt knowledge-making and transformation for socio-ecological change. By examining questions such as these through an eco-somatic movement inquiry, Michelle will provide a space to contemplate the capabilities of the performing body in eco soma movement, ecofeminist and dance theatre practices to serve as a site of knowledge production and contribute to the development of ecodramaturgy.