Skip to main content
An 17ú Comhdháil de chuid Chumann na Taighde Ealaíonta (SAR)

Secondary tabs

Submission Number: 251
Submission ID: 311
Submission UUID: 55f9bb38-bb5b-430a-b94f-d4a290c8d469

Cruthaithe: Sat, 28 Feb 2026 - 16:10
Déanta: Sat, 28 Feb 2026 - 18:11
Changed: Wed, 13 May 2026 - 08:48

Remote IP address: 99.230.33.43
Submitted by: Anonymous
Teanga: English

Is draft: Níl
Current page: webform_confirmation

Flagged:
Personal Information
Lynne
Heller
Your contribution
Reinvigorating digitality through artistic tenacity
English
This poster explores handmaking to AI digital generation, offering insights into artistic tenacity—both intuitive and deliberate—that support creation that holds significance in the face of technological advancement. The current digital production landscape, often criticized as “AI slop,” faces widespread criticism across various fields, including art, design, craft, writing, pop culture, and internet culture. Remarkably, within a short time, AI has become the dominant discussion. The term “slop” implies not only a decline in quality but also an inevitability. How can artistic perseverance combat this seemingly unavoidable shift? In certain contexts, revitalization can be achieved by deliberately applying traditional artistic methodologies. By embracing hands-on processes, craft reinvention, material exploration, and critical reflection, artmaking can counteract overproduction and foster originality that AI tools alone cannot achieve. Artistic practice grounded in critical dialogue, sensory engagement, intuitive creation, and the manipulation of both digital and physical materials offers a counterbalance to purely technological stimulation. This revitalization doesn’t stem from rejecting digitality but from reaffirming the generative potential of human-centred, arts-first experimentation. It allows innovation to evolve in dialogue with emerging technologies while preserving aesthetic and conceptual richness. Re-framing AI as collective intelligence rather than artificial intelligence opens a new perspective on this evolving mode of knowledge assembly and distribution. Why does the culmination of collective realization result in slop rather than excellence? Overwhelming and relentless production, regardless of its specific qualities, diminishes meaning. Meaning emerges from our relationship with artifacts or concepts. Artistic research provides a pathway to creating meaning using new tools while retaining age-old knowledge that AI has not been able to aggregate.
IMG_5729.jpeg
  • Lynne Heller is a post-disciplinary artist, designer, educator and academic. Her interests encompass both material and virtual culture, AR/VR performance, textile practices, and graphic novels. Heller completed her MFA at the School of the Art Institute of Chicago and her PhD at University College Dublin, Ireland. Her research was practice-based, with a specialty in feminism and Digital Media Arts. She is an Adjunct Professor, Graduate Faculty and Co-director of the Data Materialization Studio at OCAD University; Adjunct Professor SMARTlab, University College Dublin; Reviews Editor of Virtual Creativity, Intellect; and Principal Investigator of the SSHRC funded Partnership Development Grant, Thinking Through Craft and the Digital Turn.
{Empty}
Requirements
n/a
n/a
n/a
Lynne Heller
An 17ú Comhdháil de chuid Chumann na Taighde Ealaíonta (SAR)

Welcome to SAR 2026

Endangered Conceptual Worlds

The 2026 International Forum on Artistic Research takes place from 23 to 26 June 2026. Hosted by the University of Galway on the Atlantic coast of Ireland, the Forum addresses the challenges of Endangered Conceptual Worlds. As the 17th annual conference of the Society for Artistic Research it is the largest conference on practice-based research within and through the arts, bringing together more than 300 international participants: leading practitioners, scholars and policymakers from the entire range of arts-based disciplines.

Read More →

Slightly extended deadline for submissions

The 2026 Forum on Artistic Research website has been inaccessible for several hours on Friday night and Saturday morning. Unfortunately, an update to the web server was scheduled to take place, which automatically activated maintenance mode and prevented any work on the submissions during the night and the next morning. We have therefore decided to slightly extend the deadline for submissions to Monday 2 March 2026 at 23:59 GMT. Feel free to work on your proposals until then.